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Sara D'Amario

Postdoctoral Fellow -
Image of Sara D'Amario
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Email sara.damario@imv.uio.no
Mobile phone +33772000633
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Visiting address Forskningsv. 3A Harald Schjelderups hus 0373 探花精选
Postal address Postboks 1133 Blindern 0318 探花精选

Academic interests

My research centers on the cognitive, behavioral, and physiological components of music performance science. I am particularly interested in the intra鈥 and interpersonal synchronization of physiological rhythms between musicians and audiences in live concerts. I am also focused on the analysis of interpersonal coordination in small ensembles, as manifested in musicians' body motion and sound production, using motion capture, acoustic and electrolaryngography analysis.

Background

  • 2020 鈥 2023, Postdoctoral Researcher, Department of Music Acoustics, mdw 鈥 University of Music and Performing Arts, Vienna (Austria)

  • 2015 鈥 2019, Doctor of Philosophy in Music Technology, Department of Electronic Engineering, University of York, UK

  • 2013 鈥 2015, Master of Arts in Psychology of Music, The University of Sheffield, UK 

  • 2000 鈥 2004, Bachelor of Arts in Musicology, Conservatory of Music G. Verdi, Milan, Italy

  • 1988 鈥&苍产蝉辫;1999, Diploma in Piano Performance, Conservatory of Music G. Verdi, Milan, Italy

Grants

  • 2023 鈥&苍产蝉辫;2026, Marie Sk艂odowska-Curie postdoctoral fellowship (Euros 283K) from the European Union for the project 鈥淪ynchronization of Physiological Rhythms between Musicians and Audiences in Live Concerts鈥. 
  • 2019 鈥 2020, Postdoc fellowship (SEK Kr 300K) from the Wenner-Gren Foundations for the project 鈥淢usicians鈥 body movements during piano-singing duo performances: The role of musical expertise鈥. This grant was renewable for a second year, but it was not accepted.
  • 2015-2018, Doctoral award including fees and maintenance from the White Rose College of Arts and Humanities (WRoCAH)

Awards

  • 2019 - Kathleen Mary Stott Prize for the best PhD student of the Department of Electronic Engineering, University of York (UK)
  • 2018 - Honorable Mention for the Best Student Award, The Voice Foundation, Philadelphia (USA) 
  • 1993 - Golden Award for the Best Student of the Conservatory of Music of Pescara (Italy)

Certificates

  • 2017 - Associate Fellow with the Higher Education Academy (AFHEA), University of York (UK)

 

Tags: Synchronisation, entrainment, performance, Perception, Musical interaction, Music Technology, Music Cognition, musicology, Music and Movement, MusicLab

Publications

  • D'Amario, Sara; Ternstr枚m, Sten; Goebl, Werner & Bishop, Laura (2023). Body motion of choral singers. . ISSN 1664-1078. 14. doi: .
  • D'Amario, Sara; Schmidbauer, Harald; Roesch, Angi; Goebl, Werner; Niemand, Anna Maria & Bishop, Laura (2023). Interperformer coordination in piano-singing duo performances: phrase structure and empathy impact. . ISSN 0340-0727. 87, p. 2559鈥2582. doi: .

  • D'Amario, Sara; Ternstr枚m, Sten & Friberg, Anders (2023). Proceedings of the Stockholm Music Acoustics Conference. KTH Royal Institute of Technology. ISBN 978-91-8040-865-3. 194 p.

  • Bishop, Laura & D'Amario, Sara (2024). Methods tracking four-hand piano performances .
  • D'Amario, Sara (2024). Cardiac coupling of orchestral musicians and audience members during orchestra performances.
  • D'Amario, Sara & Bishop, Laura (2024). Self-Reported Experiences of Musical Togetherness in Music Ensembles.

Published Oct. 4, 2023 8:36 AM - Last modified Feb. 26, 2025 1:04 PM

Projects