Bilge Serdar Göksülük

Postdoctoral Fellow -

Norwegian version of this page

Email b.s.goksuluk@imv.uio.no

Username

Visiting address Forskningsv. 3A Harald Schjelderups hus 0373 ̽��ѡ

Postal address Postboks 1133 Blindern 0318 ̽��ѡ

Other affiliations Centres directly under the University Board (Student)

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Academic interests

Structured Human Movement Systems, Digitalisation of Movement Experience, Dance Anthropology, Somatic Practices and Actor Training, Aesthetic Experience, Phenomenology, Enactivist Theories.

Courses taught

Introduction to Phenomenological Research (MCT4024 – Networked Music Performance Technologies 1)
Art-Based Research Planning ( MCT4025 – Networked Music Performance Technologies 2)
Qualitative Movement Analysis, Laban/Bartenieff Movement Studies, Embodied Theories (MCT4053 – Motion Capture)
Research Internship: Audio-Visual Background Rhythms in a Dance Experiment (MUS4089 - Research Internship at the Department of Musicology)

Background

She completed her BA in mathematics education, also she studied theater and performing arts. She finished her master’s degree working on kinesthetic aspect of aesthetic experience in theatre for young audience (TYA) at Ankara University Theatre Department. She finished her PhD at the same department and focused on acting phenomena from an enactive perspective. Also, she studied physical theatre in Copenhagen and Laban/Bartenieff Movement Studies in Berlin. Recently, she completed two years EU funded Choreomundus - International Master in Dance Knowledge, Practice, and Heritage program, which is run by four universities University of Clermont Auvergne, France; Norwegian University of Science and Technology, Norway; University of Szeged, Hungary; University of Roehampton, United Kingdom. In her latest research, she worked on the digitalization of movement experience in a hybrid format class setting through ethnographical methodologies within the Choreomundus program. Now, she works as a post-doc researcher in the AMBIENT project at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of ̽��ѡ.

Awards

EU-funded Choreomundus Scholarship

Serdar Göksülük, Bilge (2024). . In Parviainen, Pessi & Rouhiainen, Leena (Ed.), Solvitur Ambulando "solved by moving" : dramaturgies of artistic research : proceedings of CARPA8. Theatre Academy, University of the Arts. ISSN 978-952-353-074-4. doi: .
Serdar Göksülük, Bilge (2024). The clash between physical and digital realm: hybrid movement training during the pandemic. . 3(1). doi: .
Serdar Göksülük, Bilge (2021). . In Satková, Naďa (Eds.), Tendencies in contemporary theatre directing and theatre-directing education – Book of Proceedings 2018 Theatre Conference JAMU. Janáček Academy of Performing Arts Atelier 205 / Academic Studies . ISSN 2787-9305. doi: .
Serdar Göksülük, Bilge (2021). Reflections of Embodiment and Enaction Theories on Contemporary Theatre Practices: Somatic Approach in Acting Training. Journal of Theater Critisim and Dramaturgy. ISSN 2687-4636. 0, p. 145–168. doi: .
Serdar Göksülük, Bilge (2015). The Relationship Between Dance and Young Audiences: Aesthetic Distance, Identification and Aesthetic Experience. Creative Drama Journal. ISSN 1305-8177. doi: .
Serdar Göksülük, Bilge (2014). The Possibilities of Dance as an Aesthetic Experience in Theater for Young Audiences. ASSITEJ ESPANA Boletín Iberoamericano de Teatro para la Infancia y la Juventud (BITIJ). ISSN 0210-9182. 11, p. 193–211. doi: .

Serdar Göksülük, Bilge; Tidemann, Aleksander & Jensenius, Alexander Refsum (2024). Telematic Testing: One Performance in Three Locations.
Serdar Göksülük, Bilge (2024). Conducting Semi-Structured Dance Research in Motion Capture Labs.
Serdar Göksülük, Bilge (2024). Immersive Technologies in TYA: Bodily Concerns, Challenges and Opportunities.
Serdar Göksülük, Bilge (2024). Remote Intercorporeality Through Telematic Technologies.
Serdar Göksülük, Bilge (2024). Immersive Technologies and Their Implications in Theatre for Young Audiences: Challenges and Opportunities.
Serdar Göksülük, Bilge (2024). Remote Dance Improvisation Through Advanced Telematic Technologies.
Serdar Göksülük, Bilge (2023). Performative Quality of Aesthetics in Bio-Cultural Paradigm.
Serdar Göksülük, Bilge (2023). .
Serdar Göksülük, Bilge (2023). Embodied Knowledge Production Through Telematics in the Hybrid Realm.
Serdar Göksülük, Bilge (2023). From Ritualistic Dance to Political Act: Embodying Oppositions Through Dancing Halay in Mass Demonstrations of Turkey .
Serdar Göksülük, Bilge (2023). Hybrid Format Movement Training Under the Pandemic Measures: A Clash Between Physical and Digital Realm.
Serdar Göksülük, Bilge (2023). The Challenges and Possibilities of The Hybrid Format Creative Process.
Serdar Göksülük, Bilge (2023). Phenomenological Inquiry of Movement as a Methodology in Performing Arts Education.
Serdar Göksülük, Bilge (2023). The Implications of Laban/Bartenieff Movement Studies in the Field of Dance Anthropology. Show summary
In my presentation, I will discuss the application of LBMS in the field of dance anthropology and provide insights into its future implications. While kinetography (Labanotation) is commonly recognized and used in dance anthropology, the embodied aspects of Laban’s work are often overlooked. Therefore, I will focus on the embodied aspects of LBMS in dance anthropology, rather than just notation. To start, I will provide a general overview of how dance analysis is understood within the discipline of dance anthropology. Then, I will argue how LBMS impacts the discourse of dance analysis. In the second part of my presentation, I will bolster my argument with an example by analyzing a short segment of the Caucasian folk dance 'Zafak' performed by the Nalmes State Folk Dance Company of Adygea. Through this example, I aim to demonstrate how dance analysis using LBMS can contribute to anthropological research.
Serdar Göksülük, Bilge (2022). From Bodily Interactions to Embodied Concepts.

Published Sep. 5, 2022 10:22 AM - Last modified Oct. 22, 2024 10:27 AM

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